The Police never really broke up, they just stopped working together -- largely because they just couldn't stand playing together anymore and partially because Sting was itching to establish himself as a serious musician/songwriter on his own terms. Anxious to shed the mantle of pop star, he camped out at Eddy Grant's studio, picked up the guitar, and raided Wynton Marsalis' band for his new combo -- thereby instantly consigning his solo debut, The Dream of the Blue Turtles, to the critical shorthand of Sting's jazz record. Which is partially true (that's probably the best name for the meandering instrumental title track), but that gives the impression that this is really risky music, when he did, after all, rely on musicians who, at that stage, were revivalists just developing their own style, and then had them jam on mock-jazz grooves -- or, in the case of Branford Marsalis, layer soprano sax lines on top of pop songs. This, however, is just the beginning of the pretensions layered throughout The Dream of the Blue Turtles. Only twice does he delve into straightforward love songs -- the lovely measured "Consider Me Gone" and the mournful closer, "Fortress Around Your Heart" -- preferring to consider love in the abstract ("If You Love Somebody Set Them Free," one of his greatest solo singles, and the childish, faux-reggae singalong "Love Is the Seventh Wave"), write about children in war and in coal mines, revive a Police tune about heroin, ponder whether "Russians love their children too," and wander the streets of New Orleans as the vampire Lestat. This is a serious-minded album, but it's undercut by its very approach -- the glossy fusion that coats the entire album, the occasional grabs at worldbeat, and studious lyrics seem less pretentious largely because they're overshadowed by such bewilderingly showy moves as adapting Prokofiev for "Russians" and calling upon Anne Rice for inspiration. And that's the problem with the record: with every measure, every verse, Sting cries out for the respect of a composer, not a pop star, and it gets to be a little overwhelming when taken as a whole. As a handful of individual cuts -- "Fortress," "Consider Me Gone," "If You Love Somebody," "Children's Crusade" -- he proves that he's subtler and craftier than his peers, but only when he reins in his desire to show the class how much he's learned.
STING THE DREAM OF THE BLUE TURTLES VINYL RECORD 1885 A& M RECORDS USA
Gordon Matthew Thomas Sumner, CBE (born 2 October 1951), better known by his stage name Sting, is an English musician, singer, songwriter, and actor. He was the principal songwriter, lead singer, and bassist for the new wave rock band The Police from 1977 to 1984, before launching a solo career.
He has included elements of rock, jazz, reggae, classical, new-age and worldbeat in his music. As a solo musician and a member of The Police, he has received 16 Grammy Awards (his first in the category of best rock instrumental in 1980, for "Reggatta de Blanc"), three Brit Awards, including Best British Male in 1994 and Outstanding Contribution in 2002, a Golden Globe, an Emmy and four nominations for the Academy Award for Best Original Song. He was inducted into the Songwriters Hall of Fame in 2002 and the Rock and Roll Hall of Fame as a member of The Police in 2003. In 2000, he received a star on the Hollywood Walk of Fame for recording. In 2003, Sting received a CBE from Elizabeth II at Buckingham Palace for services to music, and was made a Kennedy Center Honoree at the White House in 2014. He was awarded the Polar Music Prize in 2017.
With The Police, Sting became one of the world's best-selling music artists. Solo and with The Police combined, he has sold over 100 million records. In 2006, Paste ranked him 62nd of the 100 best living songwriters.He was 63rd of VH1's 100 greatest artists of rock, and 80th of Q magazine's 100 greatest musical stars of 20th century. He has collaborated with other musicians, including "Rise & Fall" with Craig David, "All for Love", with Bryan Adams and Rod Stewart, "You Will Be My Ain True Love" with Alison Krauss, and introduced the North African music genre raï to Western audiences by his international hit "Desert Rose" with Cheb Mami.
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